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UT OLD & MODERN 

do! | PAINTINGS 

| OF THE 
AMERICAN & 
EUROPEAN SCHOOLS 


FROM THE COLLECTIONS OF 


AS ACQUAVELLA MRS. GEORGE B. HURD 
NAPLES, ITALY. NEW YORK CITY 


H. MAYNARD SIMON J. SHWARTZ 
aaa VT. NEW ORLEANS, LA. 


MRS. “WILLIAM F. SHEEHAN 
~NEW YORK CITY 


FROM THE ESTATES OF THE LATE 


LES MORTIMER ENGLIS PHILIP C.KRAUTHOFF 
___NEW YORK CITY NEW YORK CITY 


-McEVERS BAYARD BROWN 
oe | NEW YORK CITY ~ 


TO BE SOLD BY AUCTION 
BY ORDER OF THE VARIOUS OWNERS 
EXECUTORS & TRUSTEES 
TUESDAY & WEDNESDAY EVENINGS 
NOVEMBER TWENTY-THIRD, TWENTY-FOURTH 
AT EIGHT-FIFTEEN 


THE ANDERSON GALLERIES 
; [MITCHELL KENNERLEY, Presipent] 


489 PARK AVENUE AT FIFTY-NINTH STREET, NEW YORK 
1926 


[ “tiprany | | eee ee 
14 East 57th St. | 
~ New York 


PORTRAIT OF AN OLD PATRICIAN 
BY ANTONIO MANCINI 


{ NUMBER 166 ] 


SALE NUMBER 2105 
PUBLIC EXHIBITION FROM FRIDAY, NOVEMBER NINETEENTH 


OLD & MODERN 
PAINTINGS 
OF THE 
AMERICAN & 
EUROPEAN SCHOOLS 
: FROM THE COLLECTIONS OF 
~ NICHOLAS ACQUAVELLA MRS. GEORGE B. HURD 


NAPLES, ITALY NEW YORK CITY 
ROSS H. MAYNARD SIMON J. SHWARTZ 
EAST MIDDLEBURY, VT. NEW ORLEANS, LA. 


MRS. WILLIAM F. SHEEHAN 
NEW YORK CITY 


es 
Prony HE ESTATES OF THE LATE 


CHARLES MORTIMER ENGLIS PIP eG eeR ACE HORE 


NEW YORK CITY NEW YORK CITY 
MAUDE L. ENGLIS 
EXECUTRIX SHERMAN DAY 
| BANKERS TRUST CO. OF NEW YORK ALFRED RHEINSTEIN 
sce HARRY M. ADDINSELL 
GRAHAM, McMAHON, BUELL & KNOX EXECUTORS 


ATTORNEYS FOR EXECUTRIX & TRUSTEES 


McEVERS BAYARD BROWN 
NEW YORK CITY _ 


R. FULTON CUTTING 


EXECUTOR 


TO BE SOLD BY AUCTION 
BY ORDER OF THE VARIOUS OWNERS 
EXECUTORS & TRUSTEES 
TUESDAY & WEDNESDAY EVENINGS 
NOVEMBER TWENTY-THIRD, TWENTY’FOURTH 
AT EIGHT-FIFTEEN 


THE ANDERSON GALLERIES 
{MITCHELL KENNERLEY, Presiwent] 


489 PARK AVENUE AT FIFTY-NINTH STREET, NEW YORK 
1926 


CONDITIONS OF SALIs 


ALI. BIDS TO BE PER LOT AS NUMBERED IN THE CATALOGUE. 
The highest bidder to be the buyer. In all cases of disputed bids the decision — 
of the Auctioneer shall be final. 


Buyers to give their names and addresses and to make such cash payments on 


account as may be required, in default of which the lots purchased shall be 


resold immediately. 


Purchases to be removed at the buyer’s expense and risk within twenty-four 
hours from the conclusion of the sale, and the remainder of the purchase money 
to be paid on or before delivery, in default of which The Anderson Galleries, © 
Incorporated, will not be responsible for any loss or damage whatever, but the 
lot or lots will be left at the sole risk of the purchaser, and subject to storage 
charges. 

All lots will be placed on public exhibition before the date of sale, for examina- 
tion by intending purchasers, and The Anderson Galleries, Incorporated, will 
not be responsible for the correctness of the description, authenticity, genuine- 
ness, or for any defect or fault in or concerning any lot, and make no warranty 
whatever, but will sell each lot exactly as it is, WITHOUT RECOURSE. | 

If accounts are not paid and purchases removed within twenty-four hours of the 
conclusion of the sale, or, in the case of absent buyers, when bills are rendered, 
any sum deposited as part payment shall be forfeited, and The Anderson Gal- 
leries, Incorporated, reserve the right to resell the lot or lots by either private 
or public sale, without further notice, and if any deficiency arises from such 
resale it shall be made good by the defaulter, together with all expenses in- 
curred. This condition shall be without prejudice to the right of this Com- 
pany to enforce the sale contract and collect the amount due without such 
resale, at its own option. 

The Anderson Galleries, Incorporated, will afford every facility for the employ- 
ment of carriers and packers by the purchasers, but will not be responsible 
for any damage arising from the acts of such carriers and packers. 

The Anderson Galleries make no charge for executing orders for their cus- 
tomers and use all bids competitively, buying at the lowest price permitted 


by other bids. 


A Priced Copy of this Catalogue may be obtained for One Dollar 


for each Session of the Sale 


THE ANDERSON GALLERIKS, INC. 
489 PARK AVENUE AT FIFTY-NINTH STREET, NEW YORK 


TELEPHONE REGENT 0250 CATALOGUES ON REQUEST 
SALES CONDUCTED BY MR. F. A. CHAPMAN. MR. A. N. BADE AND MR, E. H. L. THOMPSON 


AMERICAN SCHOOL 
AMES, E. 

ANDERSON, D. J. 
AUBLET, A. 

BAKER, W. B. 
BARRIER, G. 
BERNE-BELLECOUR, P. E. 
BLAKELOCK, R. A. 
BLENNER, C. 
BOLOGNESE SCHOOL 
BONHEUR, R. 

BOUCHE, A. 
BOUGEREAU, W. A. 
BOUGHTON, G. H. 
BRIDGEMAN, F. A. 

_ BROUILLET, A. 

BROWN, J. G. 

“CANO, A. 

CARRACCI, A. 

CGAZIN, J.) C. 

CHAPIN, C. H. 
CHUKCH, F. E. 

CLAYS, P. J. 

COFFIN, W. A. 
COOMANS, J. 

COUSE, E. I. 

CRANACH, L. 

CRANE, B. 

CROPSEY, J. F. 
COURBET, G. (ATT. TO) 
DAUBIGNY, C. F. 
DAVID, J. L. (AFTER) 
DE BRAY, J. 

DE HEEM (SCHOOL OF) 
DELAROCHE, P. (ATT. TO) 
DE LONGPRE, P. 
DELPY, H. C. 

DE MADRAZO, R. 
DESPORTES 

DETAILLE, E. 

DIAZ DE LA PENA, N. V. 
DOLPH, J. H. 

DROUAIS ‘(MANNER OF) 
DUTCH SCHOOL 

EARLE, L. C. 

EDE, F. 

ENGLISH SCHOOL 

EPP, R. 

FLEMISH SCHOOL 
FLUGGANS 

FORRINI, L. 

FOS, K. 

FOSTE?, B. 

FRENCH SCHOOL 


NUMBER 


59 

54 

95 

106 

92 

144 

121, 124 
10, 514 
16 


EEO SUCS SLT OS ETT 


136, 149 
122 

143, 155 
52, 83 
81 

183, 186 


107, 145 


185 
87 

: 5, 33 
123 
8 

91 
1678 
97 
99 
102 
4A 
182 


FRENCH 18TH CENTURY (MANNER OF) 98 


FROTHINGHAM, J. 
GAY, E. 

GEDLECK, L. 
GELLI, E. 

GILBERT, V. 


68 
43 
25 
181 
120 


LIST OF ARTISTS 


GRANVILLE-SMITH, w. 
GROLL, A. L. 
GROLLERON, P. L. 
GROVE, D. C. 

GRUPPE, C. P. 
GRUTZNER, E. 

GUARDI, F. (ATT. TO) 
HAAG, J. 
HARPIGNIES, HH. 


HART, J. MCD. 
HITCHCOCK, G. 
HOMER, W. 
HULBERTON, W. 
ISABEY, E. 

ITALIAN SCHOOL 
JACQUE, C. E. 
JARDINIER 
JIMINEZ, L. 
KERFF, H. 
KNELLER (SCHOOL OF) 
KNIGHT, D. R. 
KRAY, W. J. 
LANGLOIS, H. 
LAUGER, G. 
LEADER, B. W. 
LELY, P. (SCHOOL OF) 
PEPROX 7 Js 

LESUR, V. H. 
L’HERMITTE, L. A. 
LORENZETTI, P. 
LYNCH, A. 
MANCINI, A. 
MARAIS-MILTON, V. 


MARATTA, C. (SCHOOL OF) 


MARTIN, C. 
MAUVE, A. 
MC CORD, G. H. 


MILLAIS, J. E. 
MISCELLANEOUS 
MORAN, T. ~ 
MOREELSE (MANNER OF) 
MULLER-URY, A. 
MUNOZ, D. 

MURPHY, J. F. 
NATTIER (AFTER) 
NEAPOLITAN SCHOOL 
NONNENBRUCH, M. 
NORWICH SCHOOL 
OHRING, H. 

PARMA SCHOOL 
PARTON, A. 

PARTON, E. 

PEALE, R. 
POKITONOW, J. 
PRITCHETT, C. W. 
PULIGO, D. 

RANGER, H. W. 
YEDFIELD, E. H. 
REMINGTON, F. 


NUMBER 


28 

27 
132 

1] 

41, 48 
| 24 
168 

6 

152 


26 

14 

51 

79 

137 

114, 116, 117, 165 
140, 161 
180 

100 

21 

674A 

17, 40 


96 
191 
101 

58 

67 


174 
88 

57 

15 

13 

1, 188 
50 

71 

89 

142 
49, 53 
184. 


172, 179 
3 

70 

23 

178 

42, 46 
80 


65 
112 
94 
167c 
8 | 
75 
55 


RENOUF, E. 
RIBERA, J. 

RICCI, 8. 

ROBERTI, S. M. 

ROESSLER 

ROMAN SCHOOL 

RONDEL, M. 

ROY, M. 

RUBENS (SCHOOL OF) 
RUYSDAEL, J. (MANNER OF) 
SAINT JEAN, S. e 
SCIIMITZ, E. 

SCH WEINIGER 

SCOTCH SCHOOL 

SEGONT, A. 

SEITZ, A. 

SENET, R. 

SIGNORINI, G. 
SIMMONET, L. 

SMITH, H. P. 

STEVENS, A. 

SULLY, T. 

TAMBURINI, A. 

TANOUX, A. 


NUMBER 


133 
170 
164 
104 
99 
175 
151 
127 
72 
84 
105 
19 
189 
9 
150 
18 
146 


109, 125, 129 


110, 131 
154 


THEOTOCOPULI, D. 
TOULMOUCHE, A. 
UNTERBERGER, I. R. 
VALKENBURGH, H. 

VAN EVERDINGEN, C. 
VAN DEN BOSCHE 

VAN DER HELST, B. 

VAN DER NEER, A. 

VAN DER ROY, J. 

VAN MARCKE, E. 

VAN TILBORG, G. 
VENETIAN SCHOOL ~ 
VELONESE, P. (SCHOOL OF) 
VERNET, E. C. H. 

VIBERT, J. G. 

VOLTZ, F. 

WARDLE, A. 

WATSON, W. 

WEISS, J. 

WEX, W. 

WILITTREDGE, W. 

WORMS, J. 

ZIEM, F. 

ZUCCHERO (MANNER OF) 


139 
108, 159 
20 

32, 34, 93 


SALE TUESDAY EVENING, NOVEMBER TWENTY-THIRD, AT 8:15 


FIRST SESSION 
NUMBERS 1-97 


1 THE CHARGE 
Engraved by John Cother Webb after the painting by Elizabeth 
Butler. 
Signed artist’s proof. Folio. Gilt frame. ( Englis) 


W. WEX 
GERMAN, 19TH CENTURY 


2 MOUNTAINOUS LANDSCAPE WITH A LAKE 
Canvas. Signed at the lower left. Height, 16 inches; width, 22 : 
inches. (Hurd) 


MAX NONNENBRUCH 
GERMAN, 19TH CENTURY 


3 FEEDING THE SWANS 
A maiden in classic costume is standing on the marble steps 
beside a lake holding a bowl of grain; classical architecture and 
park effect. 7 
Panel. Signed and dated 1887 at the lower left. Height, 23 
inches; width, 16 inches. (Hurd) 


J. LE ROY 
CONTEMPORARY BELGIAN 


4 KITTENS 
Two playful kittens intrigued by a ball of green yarn; red curtain 
at the left. © 
Panel. Signed at the lower right. Height, 714 inches; width, 
‘914 inches. 


~% 


LAWRENCE €.’ EARLE, ’A.N.A. 
AMERICAN, 1845-1921 
LANDSCAPE SKETCH 


A green meadow with hut and a fence in the foreground; grey, 
cloudy sky. - 
Canvas. Signed and dated 1890 at the lower Bee Height, 12 
inches; width, 20 inches. (Hurd) | 


J. HAAG 
DUTCH, 19TH CENTURY 


THE WOULD-BE ARTISTS 
During the absence of the artist two urchins have entered his 
studio and are mimicking his manner as they stand before a 
landscape placed on an easel. . 
Panel. Signed at the lower right. Height, 161% inches; width, 18 
inches. 


H. VALKENBURGH 
CONTEMPORARY DUTCH 


THE FAMILY BIBLE | 
A fisherman is seated at the window engrossed in a large open 
book; humble interior. 
Water color. Signed at the upper left. Height, 18 inches; width, 
13 inches. Soa 


ENGLISH SCHOOL 
18TH CENTURY 


PORTRAIT OF DR. SAMUEL JOHNSON THE 
LEXICOGRAPHER 

Bust, head and shoulders to the front, curly, grey wig, dark 
coat; brown background. 


Academy board. Height, 914 inches; width, 7% imches. (Hurd) 
2 


SCOTCH SCHOOL 


EARLY 1OTH CENTURY 


9 PORTRAIT OF ROBERT BURNS 


10 


wy! 


12 


Half-length, shoulders to the front, head turned slightly to the 
left; in dark coat, red waistcoat and white neckcloth; landscape 
background. 
Panel. In a special case. Height, 15 inches; width, 1114 inches. 
(Schwartz) 


After the accepted portrait by Nasmyth with variations. 


RALPH ALBERT BLAKELOCK, N.A. 
AMERICAN, 1847-1919 


MOONRISE 
Sketch, with the silver disc of the full moon well up in the sky. 
Panel. Signed at the lower left. Height, 6 inches; width, 5 inches. 


D. C. GROVE 
AMERICAN, 19TH CENTURY 


AUTUMN LANDSCAPE WITH A LAKE 
Canvas. Signed at the lower right. Height, 12 inches; width, 20 
imches. (Hurd) 


HENRY PEMBER SMITH 
AMERICAN, 1854-1907 
CONNECTICUT LANDSCAPE 


Flat foreground with rows of vegetables among which an old 
woman is seen, house and barn farther back with fine tree mass. 
Distant vista at the left, pale green and cloudy sky. 

Canvas. Signed at the lower right. Height, 12 inches; width, 16 


imches. (Englis) 


13 


14 


16 


SIR JOHN EVERETT MILLAIS, P.R.A. 
ENGLISH, 1829-1896 
SIX STUDIES 


Male heads, all on one board. 

Academy board. Height, 9 inches; width, 12 inches. (Schwartz) 
Also, under glass, on the back in the artist’s handwriting “My 
dear Carlo (at Marlow) John Everett Millais, June 1850.” 
Another inlaid note says ‘‘Presented by the artist to his model 
Carlo Vanucci whose grandson sold it in 1885”. 


GEORGE HITCHCOCK, A.N.A. 
AMERICAN, 1850-1913 
THE WIDOW 


Bust, at profile, of a woman veiled, against a background of 
Gothic tapestry effect. | 
Pastel. Signed at the lower right. Height, 14 inches; width, 17 


wnches. 


GEORGE H. McCORD, A.N.A. 
AMERICAN, 1848-1909 
NEW YORK BAY 


Choppy sea with small sailing vessels inthe foreground and other 
craft in the offing, the Brooklyn bridge seen in the grey distance ; 
sky of grey and buff cloud effects with touches of blue. 

Canvas. Signed at the lower right. Height, 16 inches; width, 22 


mches. 


CARL BLENNER 
CONTEMPORARY AMERICAN 


EASTER MORNING 

Bust of a pretty young woman facing the spectator, attired in 
white lawn dress and large bonnet of which she holds the ribbons ; 
light background. 

Pastel. Signed at the lower right. Height, 26 inches; width, 20 


inches. 


si 


18 


19 


20 


DANIEL RIDGEWAY KNIGHT 
AMERICAN, 1845-1924 
THE OLD STAIRCASE 


Sketch of an interior. 


Canvas. Signed at the lower right. Height, 15 inches; width, 13 
inches. 


ANTON SEITZ 
GERMAN, 19TH CENTURY 


THE HIGHEST TRUMP 

In an old inn a party of peasants are at a game of cards, while a 
girl smilingly hesitates which of her last two cards to play. 
Panel. Signed at the lower right. Height, 12 inches; width, 16 
inches. 


ERNST SCHMITZ 


CONTEMPORARY GERMAN 


‘A TYROLLER y bo. 


Bust, shoulders to the left, head turned toward the spectator ; 
holding a mandolin. Characteristic hat and coat of a blue-green 
tone; complementary background. Wry ; 

Panel. Signed at the upper left. Height, 11, inches; width, 
6 inches. 


FRIEDERICH VOLTZ 
GERMAN, 1817-1886 
CATTLE 


Grouped in a meadow, charming distance with blue sky and cloud 
effects. 


Panel. Signed at the lower left. Height, 10 inches; width, 15 
_ mcehes. 


@ 


21 


22 


H. KERFF 
GERMAN, 19TH CENTURY 


THE NATURALIST 

Laden with specimens of ferns, wild flowers, etc., he is helping 
himself to a glass of wine; artistic interior. 

Panel. Signed at the lower left. Height, 8 inches; width, 614 


inches. 


JOHN H. DOLPH, N.A. 
AMERICAN, 1835-1913 
KITTENS 


One of them is lapping some milk from a platter, a decorative jug 
adds to the composition; brown background. 


Canvas. Signed at the lower left. Height, 7 inches; width, 12 
inches. 


H. OHRING 
GERMAN, 19TH CENTURY 


THE BRAINS OF THE VILLAGE 

An old schoolmaster explains the purport of a document to a 
trio of old rounders who sit beside him at a table of the inn. 
Panel. Signed at the upper left. Height, 12 inches; width, 16 


inches. 


EDUARD GRUTZNER 
GERMAN, 1846-1898 
GOOD CHEER 


A jovial monk is seated at a barrel and is about to wash down 
some ham and bread witi: the contents of a generous stein. 
Panel. Signed at the lower right. Height, 15 inches; width, 11 


imches. 


25 


26 


Ey 


28 


L. GEDLECK 
CONTEMPORARY GERMAN 


THE ADVANCE GUARD | 

A party of mounted soldiers are cautiously approaching the 
spectator over a grassy hill, pools of water at the left and in the 
distance; cream and grey sky with touches of blue. 

Panel. Signed at the lower right. Height, 1414 inches; width, 
2214 inches. 


JAMES MACDOUGALL HART, N.A. 
AMERICAN, 1828-1901 
CATTLE WATERING 


Some wading in the pool in the foreground, others in the wooded 
approach; glimpse of a blue sky through the distant foliage. 
Academy beard. Signed at the lower left. Height, 16 inches; 
width, 12 inches._: 


ALBERT L. GROLL, N.A. 
CONTEMPORARY AMERICAN 


LANDSCAPE 

Group of trees at the right, a figure nearby, sandy hill at the 
middle distance with cottages at the left; grey hill at horizon. 
Canvas. Signed at the lower left. Height, 16 inches; width, 12 
inches. 


W. GRANVILLE-SMITH, N.A. 
CONTEMPORARY AMERICAN 


HAYING TIME 

A heavily laden wain is passing to the left on a country road, 
the distance is lit up by the last rays of the setting sun, tree 
groups are in the right distance ;,pale emerald and lavender sky. 
Canvas. Signed and dated 1906 at the lower right. Height, 1914 
inches; width, 30 inches. 


BRUCE CRANE, N.A. 


CONTEMPORARY AMERICAN 


29 LANDSCAPE SKETCH, CHESTNUT AND GOLD © 


30 


31 


A lake with yellow, grassy bank. 
Canvas. Signed at the lower right. Height, 12 inches; width, 18 
inches. 


ALFRED STEVENS © 
BELGIAN, 1828-1906 


AT VILLERVILLE 

A hill at the left with the sea spreading out at the right. 

Panel. Signed with monogram at the lower left. Height, 8 
wmches; width, 5 imches. | 


HENRY WARD RANGER, N.A. 
AMERICAN, 1858-1916 
LANDSCAPE 


Green r- *. _.h several cows and slight tree growths in the 
foreground, bushes farther back; misty blue-green horizon, 
crowned by a limpid blue sky with silvery cloud effects. . 
Canvas. Height, 16 inches ; width, 20 inches. 


8 


32 


ARTHUR WARDLE 
CONTEMPORARY ENGLISH 


IN THE HEAT OF THE DAY 


A fine tiger is lying on his side among parched grasses with 


bushes in the back ; glimpse of sky at the upper left. Charmingly 


d4 


characterized. 
Pastel. Signed at the lower left. Height; 914 inches; width, 


1314 wmches. (Krauthoff) 


: LAWRENCE C. EARLE, A.N.A. 
AMERICAN, 1845-1921 
QUAIL SHOOTING 


A sportsman is firing at several birds on the wing over a field 
of grain while his dog is on the alert; colorful foliage in the 
distance, pale creamy sky with touches of blue. 

Canvas. Signed at the lower right. Height, 20 inches; width, 
30 inches. (Hurd) 


ARTHUR WARDLE 

CONTEMPORARY ENGLISH 
THE LAST GLOW OF THE SETTING SUN 
Four full-grown lions are seen in the high grasses in the fore- 
ground, carefully wending their way tow! ~ + ‘havleft; flat dis- 
tance with a grey hill at the right, blue sky with pink clouds. 
Pastel. Signed at the lower left. Height, 14 inches; width, 281, 


inches. (Krauthoff) 


in Gi eet egg 


118. 


NEAR THE MOUTH OF THE SCHELDT 
BY PAUL JEAN .CEAYS 


: 
| 


{ NUMBER 35 | 


PAUL JEAN CLAYS 


BELGIAN, 1890-1900 Selierf 


NEAR THE MOUTH OF THE SCHELDT 

Colorful sailing vessels are in the foreground, a brig and other 
craft farther back, cliff at the left distance. A mill is seen on the 
mainland at the right distance. Creamy tinted sky with cloud 
effects and touches of blue. 


Canvas. Signed at the lower right. Height, 29 inches; width, 43 
inches. (Krauthoff) 


| SEE ILLUSTRATION | 


10 


86 


— B8 


39 


HENRY PEMBER SMITH 
AMERICAN, 1854-1907 
THE OLD OAKS 


Fine delineation of giant trees as they rear their branches over 


a creamy and grey sky with touches of pale emerald; foreground 


of large boulders and stubble; a woman is seen gathering fagots 
at the left distance. 


Canvas. Signed at the lower right. Height, 18 inches; width, 28 
inches. (Hurd) 


ALFRED STEVENS 
- BELGIAN, 1828-1906 


“MOONLIGHT MARINE 


A steam vessel is to the fore in a deep-blue sea, sails are in the 


offing; deep grey cloud effect with a burst of moonlight. 


Canvas. Signed--at the lower left. Height, 25 inches; width. 
1014 inches. 


PAUL DE LONGPRE 
CONTEMPORARY AMERICAN 


FLOWERS 

A beautiful cluster of marigolds and lilacs against a light back- 
ground. ; 

Water color. Signed and dated “Los Angeles 1900”, at the lower 
left. Height, 12 inches; width, 28 inches. (Englis) 


J. G. BROWN, N.A. 
AMERICAN, 1851-1913 


BUSINESS IS SLACK 
A bootblack seated on his kit box smoking a cigarette with his 
brush, polish and carpet square all ready for the next “gent”; 


brick wall background. 


Canvas. Signed and copyrighted at the lower left. Height, 24 
inches; width, 16 inches. (Englis) 


tet 


a —— = ~ 


ob. 


40 


41 


42 


43 


DANIEL RIDGEWAY KNIGHT 
AMERICAN, 1845-1924 
GATHERING BLOSSOMS S 


A maiden in peasant attire is gathering blooms from an apple 
tree in a garden of flowers; river in the distance. A hill at the 
horizon; pale cloudy sky. 

Water color. Signed at the lower left. Height, 23 inches; width, 
18 inches. (Englis) 


CHARLES P. GRUPPE 
CONTEMPORARY AMERICAN 


NOVEMBER DAYS 
A river flows toward the spectator, its banks are wooded at the 
right and back on the left; pale sky with sunset effect at ine 


horizon. 
Canvas. Signed at the lower left. Height, 22 inches; width, 33 
inches. 


ARTHUR PARTON, N.A. 
AMERICAN, 1842-1914 
MISTY MORNING 


A lake with marshy banks where a herd of cattle are seen, distant 
hill partly enveloped in mist; grey and silvery sky. 3 
Canvas. Signed at the lower right. Height, 17 inches; width, 26 

inches. 


EDWARD GAY, N.A. 
CONTEMPORARY AMERICAN 


THE BRONX RIVER 

Limpid stream with grassy banks wooded at the left, ange 
distance; pale green and creamy sky. 

Canvas. Signed at the lower right. Height, 16 inches; width, 20 


inches. 


12 


44 


46 


47 


BEN FOSTER, N.A. 
AMERICAN, (?)-1926 


COUNTRY SCENE 
An old barn by the roadside. 
Canvas. Signed at the lower left. Height, 10 inches; width, 12 


mches. 


WILLIAM ANDERSON COFFIN, N.A. 
AMERICAN, 1855-1925 


LANDSCAPE 


A hill at the right, with a group of trees in full leaf, valley at the 


left with a lake, pale blue sky with cloud effects and the pale moon 
near the top. 


~ Canvas. Signed at the lower right. Height, 30 inches; width, 24 


inches. 


ARTHUR PARTON, N.A. 
AMERICAN, 1842-1914 | 


LANDSCAPE 

A pond partly covered with lily pads at the left. Grassy bank 
at the right, hilly meadow in the middle distance where the roof 
of a cottage is visible among nice tree groups; effective pale blue 
sky with silver and grey cloud effects. 

Canvas. Signed at the lower left. Height, 18 inches; width, 30 
inches. 


I. IRVING COUSE, N.A. 
CONTEMPORARY AMERICAN 


THE DRINKING POOL 

A shepherd is seen beside his flock at a small body of water behind 
a thicket, mellow distance with rich warm sky effect. 

Canvas. Signed at the lower left. Height, 24 inches; width, 29 
inches. 


13 


} 


CHARLES P. GRUPPE 


CONTEMPORARY AMERICAN 


48 LANDSCAPE WITH COWS | 7 ot 


49 


- 50 


Two cows are seen in a fenced plot in the forage beside a 
stream; flat distance with the silhouette of a village indicated at 
the horizon; grey and cloudy sky. aed 
Canvas. Signed at the lower right. Height, 10 inches; width, 12 
inches. 


J. FRANCIS MURPHY, N.A. 


AMERICAN, 1853-1921 
LANDSCAPE 


A green expanse in the foreground where a plow stands idle while 
a farmer is seen at the middle distance; a brown stretch farther 
back with several houses. <A few trees rise at the middle left over 
a silver and grey sky with touches of blue. 


Water color. Signed at the lower right. Height, 14 imches; 
width, 20 inches. - 


THOMAS MORAN, N.A. 
AMERICAN, 1887-1926 
OUTSKIRTS OF PHILADELPHIA 
A mound in the foreground where two figures are seen, the silhou- 
ette of the city in nice relief at the right distance and factory 


district on the left. Effective creamy sky, with 1 grey cloud 
effects on the left. 


Canvas. Signed and dated “Phila. 1858” at the lower Melfi 
Height, 20 inches; width, 18 inches. 


14 


‘51 


WINSLOW HOMER, N.A. 
AMERICAN, 1836-1910 
PORTRAIT OF A LADY 


Seen at bust facing the spectator from a window decorated with 
vines. 

Water color. Signed with initials and dated 1875 at the lower 
right. Height, 7 inches; width, 6 inches. 


RALPH ALBERT BLAKELOCK, N.A. 
AMERICAN, 1847-1919 


51a THE OLD BRIDGE 


52 


Broken foreground with a creek at the left and a figure on the 
right, a fine old tree bending under the weight of years stands out 
on the bank while an old arched bridge catches the sunlight 
farther to the right middle distance, a grey hill looms up beyond 
and the foliage on the left is massed in lace-like design over a 
grey-blue sky, creamy at the top. 

Canvas. Height, 14 inches; width, 21 inches. 

A certificate of authenticity by Harry W. Watrous, N.A. accom- 
panies this piece. 


GEORGE H. BOUGHTON, N.A., R.A. 
AMERICAN, 1842-1905 
DIGGING POTATOES 


Two peasant women have paused at their labor to greet an old 
salt standing by the fence at the left; the sea rolls in at the mid- 
dle distance, and quaint cottages nestle at the foot of the hills 
in the right distance; pale sky. 

Canvas. Signed and dated 1875 at the lower right. Height, 22 
inches; width, 30 inches. 


15 


x ve i J. FRANCIS MURPHY, N.A. 


SMILING. COUNTRYSIDE 
BY J. FRANCIS MURPHY, N.A. 


[ NUMBER 53 | 


AMERICAN, 1853-1921 


SMILING COUNTRYSIDE 
A green strip beside a fence broken by a small pool in the fore- 
ground. <A brown and green tinted field at middle distance where 
a stack of hay is seen, a laden wain is at the left; hilly distance 
with foliage where there are a number of cottages. Blue sky with 
vapory masses of creamy clouds. 

Canvas. Signed and dated 1874 at the lower right. Height, 20 
inches; width, 34 inches. (Hurd) 

This canvas has all the qualitites of the artist’s later period. 


[SEE ILLUSTRATION | 


16 


PORTRAIT OF R. SEMPLE 
BY EZRA AMES 


{ NUMBER 54 | 


5A 


3 50. 


55 


56 


EZRA AMES 
AMERICAN, 1768-1836 


PORTRAIT OF R. SEMPLE Ai SMe Ps q 
Half-length seated, head and shoulders lout o the ‘eft, ‘eyes am 
directed toward the spectator, in crimped jabot, blue- striped, = 
lemon colored waistcoat, black high-collared coat. Red sre 
at the right of a complementary background. 

Canvas. Inscribed ‘on stretcher, “R. Semple, 1816; Amer of 
Albany.” Height, 30 inches; width, 24 inches. (Maynard) 
Robert Semple of Rutland, Vermont was a noted lawyer, member 
of the Legislature and of the Tariff Convention in 1831. He gave 
this portrait to his grandson who sold it to the present owner in 
1924. | 


[SEE ILLUSTRATION PAGE 17 | 


FREDERIC REMINGTON, A.N.A. 
AMERICAN, 1861-1909 
THE MISSOURI BORDER ASTIR 


A number of frontiersmen, one of whom is mounted, all well armed, 
have just crossed a river on an old scow and are following a 
covered wagon pushing on enthusiastically to their goal. 
Canvas. Monotone. Signed at the lower right. Height, 14 inches; 
width, 18 inches. 


THOMAS SULLY 
AMERICAN, 1783-1872 


PORTRAIT OF WILLIAM ROYAL JOHNSTON 

Bust, shoulders to the front, head slightly to the right, a middle- 
aged man with a shock of wavy blond hair, soft collar, black 
neckerchief, grey waistcoat and black coat; complementary back- 
ground. 

Canvas. Height, 26 inches; width, 21 inches. 


18 


Or 


~ 


ALONE 
BY ANTON MAUVE 


{ NUMBER 57 | 


ANTON MAUVE 
putTcH, 1888-1888 
ALONE 
A cow stands in a green expanse looking steadfastly toward the 


right of the spectator as if scenting an intruder; thick foliage in 


the background with a glimpse of blue sky at the upper right. 
Charming example. 


Panel. Signed “Atelier A. Mauve” at the lower right. Height, 
131, inches; width, 21 inches. (Krauthoff) 


[SEE ILLUSTRATION | 


19 


58 


59 


60 


AN ENGLISH HIGHWAY  &, tACde ae 
A road passing along pictur esque cottages with ¢ eee nie sne 4 


b 50. 


: Canvas. Signed and dated 1897 at the lower lef Heges 33 4 


BENJAMIN WILLIAM. LEADER, R. A, ae 
- eNeLisH, 1831- 19285 5) a ce oe we 


about ; sunset sky with a streak of blue-grey clouds at the horizon. — 


inches; width, 50 inches. 


AMERICAN SCHOOL a 
rH CENTURY 


THE A. J. BENTLEY YACHT 4 
A two-masted vessel with full sail to the wind on a rough | Rea 4 
blue sky with grey and creamy clouds. : 
Canvas. Height, 24 inches; width, 32% mches. (Maynard) 


BARTHOLOMEUS VAN DER HELST 
putrcH, 1618-1670 
PORTRAIT OF A GENTLEMAN 


Half-length, standing, facing the spectator, in white lace ruff, 
black doublet with a cape thrown over his left shoulder and 
arranged sash-like at the waist supporting his left arm while the 
right is akimbo. Neutral grey background with his coat-of-arms 
and date 1636 at the upper right. 

Copper. Signed in full on the back. Oval, height, 12 inches; 
width, 914 inches. (Hurd) | 

Companion piece to the following. 


[SEE ILLUSTRATION | 


20 


PORTRAITS OF A LADY AND A GENTLEMAN 
BY BARTHOLOMEUS VAN DER HELST 


| NUMBERS 60 AND 61 | 


BARTHOLOMEUS VAN DER HELST 
puTcH, 1613-1670 


61 PORTRAIT OF A LADY 
Half-length, standing, facing the spectator, in white head dress 
and cart-wheel ruff, black fur-lined gown, lace cuffs, holding a 
small red book. Neutral grey background with her coat-of-arms 
at the upper left and dated 1636 at the upper right. 
Copper. Signed wm full on the back. Oval, height, 12 inches; 
width, 914 inches. (Hurd) 


Companion piece to the preceding. 
f [SEE ILLUSTRATION | 


21 


JAN DE BRAY 
putTcH, (?)-1697 


62 PORTRAIT OF A MAN 


63 


Bust, head and shoulders at three-quarters to the left, with — 
brown wavy hair wearing a jeweled fur cap. Gold chain over his 
fur-lined jacket ; complementary background. Charming example. 
Canvas. Height, 23 inches; width, 1714 inches. 


CAESAR VAN EVERDINGEN 
DUTCH, 17TH CENTURY 


A WATERFALL 

Rushing over brown rocks in the foreground with wooded banks 
at the right and left, a castle is seen on the hill in the distance 
and the effective sky of rolling grey and creamy clouds is a fine 
foil to the rushing waters below. | 

Canvas. Height, 35 inches; width, 29 inches. 


22 


WINTER SCENE 
BY AART VAN DER NEER 


{| NUMBER 64 } 


AART VAN DER NEER 
putTcH, 1604-1667 
64 WINTER SCENE 

Charming Holland scene depicting in clever graphic language 
the activities of an industrious people, on a fine winter day. 
Peasants and their cottages, domestic animals, all in attractive 
composition, with a late afternoon sky of grey and pink. 
Canvas. Height, 12 inches; width, 1614 inches. 


[SEE ILLUSTRATION | 


23 


65 


PORTRAIT OF ANDREW JACKSON 
BY REMBRANDT PEALE, #N- 


| NUMBER 65 | 


REMBRANDT PEALE, N.A. 
AMERICAN, 1778-1860 
PORTRAIT OF ANDREW JACKSON 
Bust, head and shoulders slightly to the right; m General’s uni- 
form with gilt epaulettes and embroidery, lace jabot and tan 
colored waistcoat; warmly tinted complementary background. 
Cradled panel. Height, 17 inches; width, 14 inches. (Schwartz) 


24 


¥ 
g 
4 
3 


66 


VAN DEN BOSCHE 
putcu, 1681-1715 
PORTRAIT OF THE ARTIST 


- Half-length, seated, shoulders to the front, head turned toward 


the right, leaning on a parapet as he holds a drawing partly 


rolled up. Attired in plum colored mantle, white neckcloth and 


brown doublet; dark architectural background. 


— Canoas. Signed at the “EES left. Height, 380 imches; width, 28 
: enghes. aoe) 


ie 67. 


O7A 


SCHOOL OF SIR PETER LELY 


ENGLISH, 17TH CENTURY 


PORTRAIT OF CLEMENTINA MARIA SOBIESKI 
-Half-length, seated slightly to the left, eyes directed toward the 


spectator, as she points to an open casket from which she takes 
a string of pearls with a miniature portrait pendant of James II 
of England whose Queen she was. Attired in low cut blue bodice 
with brown veiling head dress; dark background. 

Canvas. Height, 29 inches; width, 24 inches. 


SCHOOL OF KNELLER 
ENGLISH, EARLY 18TH CENTURY 


PORTRAIT OF THOMAS PELHAM HOLLES, DUKE OF 
NEWCASTLE 

Three-quarter length, standing, facing the spectator, his right 
arm akimbo, his left on sword hilt, attired in full court dress, lace 
neckwear, blue-white silk-lined cape, over pale blue coat and 
breeches with red sash and belt and the order of St. George 
attached to a chain about the neck; a plumed hat is seen on a 
table at the right. Brown background with a red curtain on 
the left. | aad 

Canvas. Height, 48 inches; width, 38 inches. 


25 


JAMES FROTHINGHAM 
AMERICAN, 1786-1864 
68 PORTRAIT OF JONATHAN WEBB. on 

Bust, head and shoulders slightly to the left, eyes directed toward — 

_ the spectator; m cream colored jabot and waistcoat, dark coat, 
his left arm resting over the back of a red upholstered chair. 4 
Complementary warm grey background with room panelling i in- 
dicated at the left. | . 
Panel. Height, 27 inches; “arth 211, in (Maynard) 


| SEE ILLUSTRATION | 


GILLES VAN TILBORG 
FLEMISH, 1625-1678 
69 IN THE TAVERN 


At the left a number of Jurists in cap and gown are having tea 
while another group seated at the right are in discussion with a 
gentleman in long red coat. A servant enters a door at the back 
and other figures are seen in the background. 

Canvas. Signed with his monogram and dated 1672 at the lower 
left. Height, 20 inches; width, 23 inches. 


NORWICH SCHOOL 
ENGLISH, EARLY 19TH CENTURY 


70 THE OLD BRIDGE 
A stream with quaint houses at the left and right, a bridge with 
three arches at middle distance, a Norman tower rises farther 
back, with sails and boats in the foreground ; creamy and grey sky. 
Canvas. Height, 24 inches; width, 28 inches. 


26 


ert ta alias cilia 


PORTRAIT OF JONATHAN WEBB 
BY JAMES FROTHINGHAM 


{ NUMBER 68 | 


7 


1 


72 


~ 


4 


~ MANNER OF M 


PORTRAIT OF A PRINCESS OF HAN: | 
Half- -length, head and shoulders to the front, facing the speceieae 


fluffy auburn hair with pearl ornaments, wide lace collar, cuffs and 
shoulder pieces, low -cut cherry colored bodice with applique orna- 
ments, her right hand placed at her bosom; dark background. 
Cradled panel. Height, 30 inches ; width, 21 inches. (Hurd) — 


SCHOOL OF RUBENS 
FLEMISH, 17TH CENTURY 


HEAD OF A SAINT 
A patriarchal face with long hair and beard inclined toward the 
spectator, in red drapery, his left hand holding a pencil; dark 
brown background. 


Cradled panel. Height, 30 inches; width, 21 inches. (Hurd) 


MANNER OF ZUCCHERO f 
PORTRAIT OF QUEEN ELIZABETH Qs hh th 


Represented at half figure, her auburn hair dressed. high. atom 


flower and jewel ornaments, attired in green gilt, striped. and = 


jeweled bodice and wide lace collar. Red background, © 
Canvas. Height, 28 inches; width, 23 inches. - (Hurd) even 


JASPER F. CROPSEY, N.A. 
AMERICAN, 1823-1900 
UP NEW YORK STATE 


Rugged country showing a lake with small islands surrounded by 
hills and there is a boat in the foreground; grey and creamy sky. 
Canvas. Signed and dated 1872 at the lower right. Height, 28 
inches; width, 38 inches. 


ri) 


76 


T7 


78 


EDWARD H. REDFIELD 
CONTEMPORARY AMERICAN 


THE RIVER SEINE AT NIGHT 

A scene in Paris, with boats whose red and yellow lights give a 
colorful touch; grey and pink sky. 

Canvas. Signed at the lower left. Height, 3114 inches; width, 
40 inches. ; 


CHARLES H. CHAPIN 
AMERICAN, 19TH CENTURY 


SPIRIT LAKE, MINNESOTA 
Wide body of water with a row-boat at middle distance, rocky 
foreground with wooded hills and rose-tinted mountains at the 
horizon; blue and pink sky. 

Canvas. Signed at the lower right. Height, 18 inches; width, 
34 inches. be na 


j 


FREDERIC E. CHURCH, N.A. 
AMERICAN, 1826-1900 
THE ANDES 


Foreground of luxuriant vegetation, a blue lake at the middle 
distance with a snow-covered mountain peak towering high in a 
blue sky with pink cloud effect. 

Canvas. Signed and dated 1874 at the lower left. Height, 16 
inches; width, 22 inches. 


WORTHINGTON WHITTREDGEH, N.A. 
AMERICAN, 1820-1910 


BRETTON WOODS 

A number of deer are scampering across a road in the foreground 
toward a wood; snow-capped mountains at the horizon, blue sky 
with slight cloud effect. 

Canvas. Signed at the lower right. Height, 20 inches; width, 15 
inches. 


29 


~ 


80 


8 


te) 


9 


i 


W. HULBERTON 
AMERICAN, 19TH CENTURY 


A GOOD CATCH 
A speckled trout is being hauled in on a line. Charmingly 


executed. 
Canvas. Signed and dated 1885 at the lower left. Height, 14 


inches; width, 20 inches. (Brown) 
6 


ERNEST PARTON 
CONTEMPORARY AMERICAN 


MIDSUMMER, UPPER THAMES 

A wide stream, a road and green meadow at the right where a 
woman is scen, tree groups and colorful foliage on the left. The 
steeple of a church and some cottages are farther back; blue sky 
with cloud effects. = 

Canvas. Signed and dated 1890 at the lower right. Height, 22 
inches; width, 36 inches. 


FREDERIC A. BRIDGEMAN, N.A. 
CONTEMPORARY AMERICAN 


THE FLOWER GIRL 

A pretty oriental woman is arranging a lot. of chrysanthemums in 
the square near the fountain, a fish-shaped water vessel is at her 
side. 

Canvas. Signed and dated 1889 at the lower right. Height, 32 
inches; width, 23 inches. (Englis) 


W. WATSON 
CONTEMPORARY SCOTCH 


MOUNTAIN SHEEP 

A flock of these long wooly specimens nicely grouped about the 
foreground, with a lake in the distance. Blue sky with misty effect 
at the horizon. Charming example. 

Canvas. Signed and dated 1904 at the lower right. Height, 24 
inches; width, 36 inches. 


30 


83 


85 


86 


GEORGE H. BOUGHTON, N.A., R.A. 
AMERICAN, 1842-1905 


THE TARES 

A mother and daughter are resting on the wayside with their sheaf 
of wheat, several paths traverse the middle ground where a group 
of trees rise while a mellow field of grain is seen beyond; fine grey 
and pink sky with touches of blue. 

Canvas. Signed at the lower left. Height, 42 inches; width, 33 
inches. 


MANNER OF JACOB RUYSDAEL 


LA CASCADE 

A waterfall in the foreground, wooded banks, hilly distance; blue 
sky with creamy cloud effects. 

Canvas. Height, 4516 inches; width, 3914 inches. (Hurd) 


SCHOOL OF DE HEEM 
DUTCH, 17TH CENTURY 


STILL LIFE 

Nice arrangement of peaches, grapes and game on a red cloth 
spread over a table; dark background. 

Canvas. Height, 30 inches; width, 38 inches. 


JOSEPH COOMANS 

BELGIAN, 1816-1891 
THE TOY BOAT 
In a Roman swimming pool a number of children are sailing a 
ship, and while one blows another stirs the water with his bare 
feet, two adult attendants about; charming interior. 


Panel. Signed and dated 1887 at the lower left. Height, 211, 
inches; width, 26 inches. 


31 


87 


88 


89 


_ doublet ; dark background. . 


DUTCH SCHOOL. 
17TH CENTURY 


PORTRAIT OF A BURGHER 4 
Bust, facing the spectator, in wide, lace- iain collice and black 7 


Canvas. Height, 20 inches; width, 15 inches. Rs) 


CHARLES MARTIN 
AMERICAN, 19TH CENTURY 


PAIR OF PORTRAITS | 
Bust, middle-aged couple. a 
Canvas. Inscribed on back of both canvasses, “Charles Martin, — 
26 Beacon Street, (Boston) 1849.” Oval, height, 30 inches; 
width, 25 inches. (Maynard) (2) 


A. MULLER-URY 
CONTEMPORARY AMERICAN 


PORTRAIT OF A LADY 

Three-quarter length, seated facing the spectator, attired in low- 
cut white evening gown trimmed with lace, a spray of lavender 
flowers at the corsage; her right arm resting on a table, her left 
hand placed on a fur boa across her lap; green complementary 
background. . 

Canvas. Signed at the upper oe Height, 44 inches; width, 35 
inches. (Sheehan) : 


32 


. 90 


91 


92 


93 


JEF VAN DER ROY 
DUTCH, 19TH CENTURY 


STILL LIFE 

Half a pumpkin, peaches, lemons, a wine glass and a brass platter 
nicely composed on a table with an oriental rug as a covering; 
dark background. In a frame of architectural design with elec- 
tric wiring for effective lighting. Superb example of still life 
painting. 

Cradled panel. Signed at the lower right. Height, 34 inches; 


‘width, 44 inches. (Krauthoff) 


RUDOLPH EPP 


GERMAN, 19TH CENTURY 


MOTHER’S LOVE 


A woman in house gown is tenderly placing her sleeping babe in 
its cradle while a little girl and a dog are in the foreground. 
Canvas. Signed and dated 1869 at the lower right. Height, 43 
inches; width, 35 inches. (Hurd) 


WILLIAM BLISS BAKER 
AMERICAN, 1859-1889 
WINTER IN THE ADIRONDACKS 


Charming rendition of a wooded expanse in lovely tones of blue 
shadows and creamy lights broken by a small pool with a glimpse 
of open sky. 

Canvas. Height, 20 inches; width, 42 inches. 


ARTHUR WARDLE 
CONTEMPORARY ENGLISH 


THE KING OF BEASTS 

A fine lion lies at the mouth of a cave among rocks as sentinel, 
looking at the spectator. | 

Pastel. Signed at the lower right. Height, 36 inches; width, 28 
inches. (Krauthoff) 


33 


94 


95 


96 


al 


C. W. PRITCHETT 
Orion 19TH CENTURY 


VENETIAN SCENE 
The Grand Canal with the Church of Salute and the Doane on 
the right, the Island of San Giorgio in the distance and colorful 


sails and craft at a dock on the left and in the ones blue sky 
with flaky cloud effects. 
Canvas. Height, 37 inches; width, 56 inches. (Hurd) — 


DAVID J. ANDERSON 


AMERICAN, 19TH CENTURY 
REVERIE 
Beside a canal bordered by pollard willows, a girl is seen, a flock 
of geese are close by. 
Canvas. Height, 39 inches; width, 48 inches. 


W. J. KRAY 
GERMAN, 19TH CENTURY 


PSYCHE 

The lovely mistress of Eros is seated on a ledge, resting her head 
on her left hand; sea background with sunset sky. 

Canvas. Damaged. Signed at the lower left. Height, 44 inches; 
width, 30 inches. (Hurd) 


FLUGGANS 
GERMAN, 19TH CENTURY 


THE UNSIGNED WILL 

An old lady is lying back in a chair as if she is about to expire 
while a notary hands her a pen with which to attach her signature 
to the document which is lying on the table in front; oe figures 
about, fine interior. 

Canvas. Signed and dated 1850 at the lower right. Height, 51 
inches; width, 63 inches. (Schwartz) 


34 


SALE WEDNESDAY EVENING, NOVEMBER TWENTY-FOURTH, AT 8:15 


SECOND SESSION 


NUMBERS 98-191 


MANNER OF FRENCH, 18TH CENTURY 
98 PAIR OF DECORATIVE TREFOIL PANELS 


Representing ladies in eighteenth century costume with cherubs ; 
park background. 
Panel. Height, 19 inches; greatest width, 19 inches. (Hurd) 


(2) 


L. FORRINI 
CONTEMPORARY ITALIAN 


99 (a) THE CUP OF TEA 
Half-length figure of an old lady holding a cup and saucer, her 
elbow on a table. 
Canvas. Signed at the upper left. Height, 1446 inches; width, 
12 inches. 


ROESSLER 
CONTEMPORARY GERMAN 


(b) CHILDREN AND PET RABBITS | 

Playing in a meadow. 

Panel. Signed at the lower right. Height, 11 inches; width, 9 
inches. (Hurd) 

(2) 


LUIS JIMINEZ 
SPANISH, 19TH CENTURY 


100 AN OLD VETERAN 
In soldier costume and wrapped in a great-coat, is seated par- 
taking of light refreshment. 
Panel. Signed at the lower left. Height, 9 inches; width, 7 inches. 


35 


101 


108 


104 


GEORGES LAUGER 
CONTEMPORARY FRENCH 


THE SHEPHERDESS | 


Is urging her sheep to hurry on as the day is waning. Charming 


landscape setting. . 
Water color. Signed at the lower ngs Height, 914 inches; — 
width, 11 wches. | 


KIRUTKA FOS 
HUNGARIAN, 19TH CENTURY 


STILL LIFE 3 
Charming rendition of two old tomes, a vase, a small jewel case, 4 
with medals etc., on a wine colored and green embroidered — 
drapery; an etching on the wall. : 
Panel. Signed and dated 1823 at the lower left. Height, 17144 
inches; width, 14 inches. (Schwartz) | ; 


DESPORTES 
FRENCH, 19TH CENTURY 


THE MODEL 

A nude woman is lying at full length; dark background. : 
Pastel. Signed and dated 1886 at the lower right and inscribed — 
“This study was for my painting the Fountain Nymph.” 


S. M. ROBERTI 
ITALIAN, 19TH CENTURY 


IN A DESPERATE MOOD 

A cavalier seated straddle-wise on a bench is in deep thought as 
he clenches the hilt of his sword. _ 7 F 
Water color. Signed at the lower right. Height, 12 inches; 
width, 8 inches. 


86 


105 


106 


i 107 


SIMON SAINT JEAN 
FRENCH, 1808-1860 
STILL LIFE 


_ Peaches, berries, apricots, etc., nicely arranged against a foliage 
background. 
Canvas. Height, 11 inches; width, 24 inches. (Hurd) 


ALBERT AUBLET 


FRENCH, 19TH CENTURY 


THE ARTIST AT WORK 


Seated at his easel on the right, as a female nude poses full length 
on a couch covered with fine cushions and an Oriental rug; 


_ charming studio interior. ; 
Panel. Signed and dated 1880 at the lower left. Height, 10 
—imches; width, 13 inches. (Hurd) 


HIPPOLYTE CAMILLE DELPY 
FRENCH, 1841-1910 
ON. THE SEINE 


~ Wide-body-of water with two men just pushing off in a row boat 
'.* . fron: -the well-wooded banks on the right. Distant hill and grey, 


orange and pale emerald sunset sky. . 


.. ..~Paneél... Signed at the lower left... Height, 10 inches; width, 15 


108 


mcehes. 


JEHAN GEORGES VIBERT 
- FRENCH, 1840-1902 
INTERMISSION 


A Spanish-bull-fighter is seated on ‘stone steps as he enjoys a 
cigarette. 
Water color. Signed at the lower left. Height, 14 inches; width, 
10 inches. ; 


37 


GUISEP SIGNORINI 
ITALIAN, 19TH CENTURY 


109 THE LOVE AVOWAL 7 
A charming lady smiles at the spectator from a gilt sedan chair — 
as a love-smitten swain kneeling, declares his attachment. Charm- 


ing interior with marble staircase. q 
Water color. Signed at the lower right, and dated “Paris, 1895.” 
Height, 17 inches; width, 12 inches. (Englis) 


A. TAMBURINI 
ITALIAN, 19TH CENTURY 


110 THE BOTTLE OF WINE 
A lay brother in brown smock and white apron is drawing the 
cork from a bottle as he is seated on a bench; dark background. 
Canvas. Signed at the lower right. Height, 12 inches; width, 2 
10 inches. (Englis) | 


RAIMUNDO DE MODRAZO 
SPANISH, 1841-(?) 


111 WRITING HER DIARY 
A lady facing the left is seated at her writing table, attired in 
mob cap with pink ribbons, low-cut bodice and blue brocaded 
skirt. Rich interior. 
Canvas. Signed at the lower right. Height, 2914 wmches; width, 
2016 inches. (Krauthoff) 


J. POKITONOW 
POLISH, 19TH CENTURY 


112 HUNTING SCENE 
Flat country across fields with a couple of men and a boy with 
their firearms, in the foreground; pale green and ivory sky. 
Panel. Signed and dated 1887 at the lower right. Height, 614 
inches; width, 14 inches. 


38 


114 


115 


EDOUARD DETAILLE 
FRENCH, 1848-1912 
A CUIRASSIER 


In attractive uniform resting his left hand on his sword, his right 
arm on the saddle of his fine white steed standing beside him; 
complementary background. 

Canvas. Signed and dated 1881 at the lower right. Height, 26 
inches; width, 2114 inches: (Brown) 


ITALIAN SCHOOL 
LATE 16TH CENTURY 


STILL LIFE 

An open bible, probably a Guttenberg example on parchment 
showing two pages of text and illuminated capitals, in red leather 
cover with clasps. Portrayed as if resting on a reading stand; 


dark background. 
Panel. Height, 1614 inches; width, 20 inches. (Schwartz) 


VENETIAN SCHOOL 
17TH CENTURY 


A SAINT 

Bearded, seen at bust, holding a book from which a flame shoots 
upward; large halo against a blue background. 

Panel. Circular, 9 inches in diameter. (Acquavella) 


ITALIAN SCHOOL 
18TH CENTURY 
HEAD OF A SAINT 
Half-figure, standing, looking up, his hands clasped as he holds 


a staff; gold background. 
Canvas. Height, 22 inches; width, 18 inches. (A cquavella) 


39 


ITALIAN SCHOOL 
17TH CENTURY 


117 THE MADONNA AND CHILD 7 
The Virgin in red robe and tan colored head-dress holds the — 
infant Christ ; head of a cherub at the upper left. 

Canvas. Height, 19 inches; width, 15 inches. (Acquavella) 


ALONZO CANO 
SPANISH, 1601-1667 


118 SAINT SEBASTIAN “7 
Nearly three-quarter length, standing tied against a tree, nude to — 
the waist, two arrows piercing his flesh; landscape background. 
Canvas. Height, 25 inches; width, 21 inches. (Acquavella) 


BOLOGNESE SCHOOL 
EARLY 17TH CENTURY 
119 MADONNA AND CHILD 
| The Virgin in pink and blue drapery with a grey hood holds the 
nude infant, halos indicated in a warm toned background. 
Canvas. Height, 25 inches; width, 20 mches. (Acquavella) 


VICTOR GILBERT 
FRENCH, 19TH CENTURY 


120 A POPPY FIELD 
A boy and a girl and figures farther back gathering the’ Pretey 
blooms; simple sky of pale blue and buff effects. 
Canvas. Signed at the lower left. Height, 20 inches; width, 24 
inches. (Englis) , 


40 


PROSPER ETIENNE BERNE-BELLECOUR 
FRENCH, 1838-1910 


OFF DUTY 

A soldier is standing on a rustic bridge baiting the hook of his 
fishing rod, houses at the back, pink sky. 

Cradled panel. Signed at the lower left. Height, 1014 inches; 


width, 131 inches. 


A. BOUCHE 


CONTEMPORARY FRENCH 


_ PASSING THROUGH THE VILLAGE 


A shepherd is driving his flock toward the spectator passing inter- 
esting stucco cottages. 
Canvas. Signed and dated 1906 at the lower right. Height, 24 


i inches; width, 31 inches. 


~ FREDERIC EDE 
CONTEMPORARY SWEDE 


GOING TO PASTURE 

Sheep browsing on a road passing rustic cottages in the fore- 
ground, a brook at the left with glimpses of a grey-blue sky 
through the distant foliage. 

Canvas. Signed at the lower left. Height, 1914 inches; width, 
24 inches. (Hurd) . 


PROSPER ETIENNE BERNE-BELLECOUR 
FRENCH, 1858-1910 


WAYSIDE REFRESHMENT 

A soldier is seated at the entrance of a cottage drinking from 
a china bowl, his bicycle at his side, as a companion approaches 
and regards him fixedly; cottages along the road in the distance, 
lavender and creamy sky. 

Panel. Signed at the lower left. Height, 13 inches; width, 17 
ches. 


41 


} 


=P 


GUISEP SIGNORINI 


ITALIAN, LOUTH CENTURY 
@ 


AFTERNOON RELAXATION f} 1!) Be tT ele 


A number of cardinals and other church dignitaries are seated 


about a table, their costumes a riot of rich scarlets, crimson, 


purple and laces as they discuss current subjects over a cup of 
tea; luxurious interior with a background of tapestry, carved 
woods and a Turkish rug. 

Water color. Signed at the lower right. Height, 31 inches; width, 
4414, inches. 


LUCIEN SIMMONET 
CONTEMPORARY FRENCH 


A TURNING IN THE MARNE 

A stream with wooded banks and houses on the opposite shore, 
a punt is in the foreground; pale emerald sky with pink cloud 
effects. 

Canvas. Signed at the lower left. Height, 18 inches; width, 24 
inches. 


M. ROY 
FRENCH, 19TH CENTURY 
A ZOUAVE 
Lighting his cigarette as he paces along a country road; grey 
sky with cloud effect. 
Panel. Signed at the lower right. Height, 9 inches; width, 51/, 
inches. 


AUGUSTE TOULMOUCHE 
FRENCH, 1829-1890 


THE FRAGRANT ROSE 

Three-quarter length of a lady standing, in deep red velvet and 
pink satin dress, smelling a pink rose; complementary back- 
ground. 

Canvas. Signed and dated 1884 at the lower right. Height, 19 
inches; width, 12 inches. (Brown) 


42 


129 


130 


131 


132 


GUISEP SIGNORINI 
ITAITAN, 19TH CENTURY 
THE CONNOISSEUR 
A cardinal is seated examining a print. 


Water color. Signed at the lower right. Height, 17 inches; 
width, 11 inches. 


JULES WORMS 

FRENCH, 18351-1881 
FEEDING THE PET 
A prim senorita is standing on a stone beside a well to pass a 
tidbit to the canaries in a cage against the wall. 
Water color. Signed at the lower right. Height, 1814 inches; 
wedth, 10 inches. 


A. ‘FAMBURINI 
ITALIAN, 19TH CENTURY 


A GOOD VINTAGE 

A Dominican lay brother in white cowl proudly displays a basket 
of choice grapes; dark background. 

Canoas. Signed at the upper left. Height, 14 inches; width, 
1114 mches. (Hurd) 


PAUL LOUIS GROLLERON 
FRENCH, 1848-1901 
BREAKFAST TIME 


A poilu is seated grinding the coffee in a machine which he holds 
between his knees. 
Panel. Signed at the lower left. Height, 741 inches; width, 6 


inches. 


43 


EMIL RENOUF 


FRENCH, 19TH CENTURY 


183. THE OLD SALT 


134 


136 


At the wheel of a fishing smack, he is attired in the typical 
“so-wester” head gear and water-proof garb; blue sky with grey 
cloud effect. , 
Canvas. Signed at the lower left. Height, 32 inches; width, 26 
imches. | 


ATTRIBUTED TO GUSTAVE COURBET 
FRENCH, 1819-1877 
ARTIST SKETCHING 


Seated before an easel in a wood while a companion is seen with 
a portfolio farther back. 

Panel. Signed at the lower right. Height, 11 wmches; width, 15 
wmches. | 


CHARLES FRANCOIS DAUBIGNY 
FRENCH, 1817-1878 
EVENTIDE 


-A shepherd and his flock on a flat expanse at moonrise. 


Water color. Signed at the lower right, and inscribed “a mon ami 
Beugniet” at the left. Height, 6 inches; width, 11 inches. 


ROSA BONHEUR 
FRENCH, 1822-1899 
STUDY OF A DEER 


A doe on a grassy expanse. 
Canvas. Signed at the lower left and stamp of the Bonheur Sale 
on the back. Height, 141% inches; width, 151% inches. 


44: 


EUGENE ISABEY 
FRENCH, 1804-1886 
137 THE SQUALL 


Two large smacks with picturesque sails are in the foreground 


Rte a 


while fishermen in a row boat on the crest of a wave are rowing 
toward them; slate sky with cliffs at the right distance. 
Canvas. Signed at the lower left. Height, 1614 inches; width, 
2214 inches. (Krauthoff) 


3 He bb vapad Ds Peta 


saree 


; a ATTRIBUTED TO PAUL DELAROCHE 
= FRENCH, 19TH CENTURY 


138 ‘THE MUSIC LESSON 
The tutor stands behind the little blond girl and assists her in 
fingering her mandolin; interior background. 
: Canvas. Signed with initials at the lower left. Height, 16 inches; 
/ width, 12 inches. - 


EMILE CHARLES HORACE VERNET 
: FRENCH, 1789-1863 
189 A SOUDANESE BELLE 


Half-length of a young chocolate-colored woman in fancy hair- 
dress holding a black-plumed fan; complementary background. 
Canvas. Height, 11 inches; width, 7 inches. 


CHARLES EMILE JACQUE 
FRENCH, 1813-1894 


140 COUNTRYSIDE 
Hilly landscape with sheep; grey and silvery sky. 
Canvas on panel. Signed on the lower left. Height, 8 inches; 
width, 614 inches. 


AS 


141 


hd: 


143 


V. HENRY LESUR 
| FRENCH, 19TH CENTURY 
MARKET PLACE IN A FRENCH TOWN : 
A broad place with a bronze statue in the centre, dren by 


picturesque old houses animated by the populace of all classes — 
in eighteenth century costume. A canal is seen at the right dis- 


tance, blue sky with creamy cloud effect. 
Panel. Signed at the lower right. Height, 1214, pee aoe 
16 inches. (Hurd) 


DOMINGO MUNOZ 
SPANISH, 19TH CENTURY 


THE RECITATION | 

On the terrace of a mansion an interesting company including a 
cardinal and a general are attentively listening to a youthful 
prelate who is declaiming from a book. Distant wood with blue 
and buff sky. | 
Canvas. Signed at the lower right. Height, 19 inches; width, 27 
inches. (Hurd) 


WILLIAM ADOLPHE BOUGEREAU a) 
 prencn, 1825-1905 ) Fi 

“WHO'S COMING” hf, Ca Mate tit 
A pretty young girl approaches the spectator her blond head 
posed to the left as she trips barefooted through the wood with 
a bundle of salad leaves. She is attired in a home-spun skirt 


and white chemise. 
Canvas. Signed and dated 1898 at the lower left. Height, 53 


inches; width, 30 inches. (Englis : 3 


SEE ILLUSTKATIOX | 
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(np ie 
JS, Wipe pfrie 849- Pe 5SKXK 4 


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9s 


WHO § COMING 
BY WILLIAM ADOLPHE BOUGEREAU 


&G 


{ NUMBER 143 } 


144 


145 


146 


G. BARRIER 
CONTEMPORARY FRENCH. | 


THE GUARDSMAN aye a 
Bust, shoulders to the left, head turned toward hes spectator, i 
black, broad-brimmed hat, wide lace edged collar, crimson velvet 


doublet and grey cape, mottled background. | 
Canvas. Signed and dated 1909 at the upper ny A eight, 25, 
inches; width, 21 inches. (Hurd) 


HIPPOLYTE CAMILLE DELPY 
FRENCH, 1841-1910 
LES LAVENDEUSES 


A river makes a wide sweep to the left where a number of women 
are washing their linen, a couple of boats are on the water and a 
mass of trees at the left distance describe a nice line over a _ 
luminous creamy and grey sky, a brown hill partly wooded is on 
the opposite side. | - 
Cradled panel. Signed and dated 1904 at the lowe right. H ene e S 
16 inches; width, 29 inches. (Hurd) 


RAFAEL SENET 
CONTEMPORARY JTALIAN 


VENETIAN SCENE 
The grand canal with its fine palaces at the left and the Church 
of the Salute on the right with gondolas about; blue sky with 
creamy cloud effects. a 

Canvas. Signed at the lower right. Height, 15 inches; width, 
2314 mches. (Hurd) | 


48 


JOSE WEISS 
CONTEMPORARY FRENCH 


147° A SUSSEX LANDSCAPE 
A body of water partly overgrown, with an avenue of trees on 
the left bank where a sportsman in a punt is at the middle dis- 
tance; low-lying marshy land on the right. Pale blue sky with 
effective grey and creamy clouds. 
Canvas. Signed at the lower left. Height, 14 inches; width, 24 
inches. (Krauthoff) 


he er eR 


V. MARAIS-MILTON 
FRENCH, 19TH CENTURY 


148 THE LURE OF THE ANTIQUE. 
A Cardinal in scarlet robes is seen in the vestibule of a stately 
mansion closely inspecting a suit of armor among other anti- 
p quities. | 4 
| j Panel. Signed at the lower left. Height, 15 inches; width, 111% 
ie inches. 


ROSA BONHEUR 
FRENCH, 1822-1899 
149 THE GREY HORSE 


A fine stallion standing in a green meadow. 
Canvas. Signed at the lower left. Height, 18 inches; width, 22 
inches. 


A. SEGONI 
ITALIAN, 1OTH CENTURY 


150 THE CONSPIRATOR 
In a charming Louis XIII interior a gentleman receives notice 
of his arrest while his pretty wife leans distractedly on his shoul- 
| der and his jailers are waiting at the left. | 
- Canvas. Signed at the lower left. Height, 23 inches; width, 3514 
inches. 


49 


151 


152 


153 


~ Wooded effect on a hilly expanse. 


M. RONDEL 
CONTEMPORARY FRENCH 


IDEAL HEAD 2) 2 . 
Bust of a pretty young woman at three- quae to ies right 
with deep chestnut hair, with some transparent veiling and red — 
and green drapery about her shoulder and waist; complementary 


background. | . 4 
Canvas. Signed at the lower right. Height, 24 inches; width, — 


18 inches. 


ACh SR RINE SER ERR NN Fe Ee 


HENRI HARPIGNIES 
FRENCH, 1819-1916 
LANDSCAPE SKETCH 


3 es 
Canvas. Signed at the lower left. Height, 9Y imches; width, 14 _ 
inches. | | : 


ALBERT LYNCH 
CONTEMPORARY FRENCH 


IDEAL HEAD 
A pretty young girl is seen at bust, facing the spectator, attived 
in lace mob cap and low-cut cardinal-red gown with lace yoke; 
wearing a corsage of flowers; light brown complementary back-— 
ground. 7 


Canvas. Signed at the left. Height, 26 inches: width, 20 inches. 
50 


ADRIEN TANOUX 
CONTEMPORARY FRENCH 


154 THE COURTEZANE 
_ Bust, shoulders to the left, head turned toward the spectator of 
a pretty woman with Titian hair, a green plush beret with white 
_ feather, fur-lmed garment draped about her waist; comple- 
_ mentary green background. 
Canvas. Signed and dated 1901 at the upper left. Height, 26 
inches; width, 2114 inches. 


WILLIAM ADOLPHE BOUGEREAU 


2 | Joao. [PRENCH, oe 1905 

| 155 AT HER KNITTING PG dae 
& Three-quarter length of an Italian - need girl standing against 

a tree knitting, attired in colorful costume. 


Canvas. Signed and dated 1880 at the lower left. Height, 45 
imches; width, 28 inches. (Brown) 


FELIX ZIEM 
FRENCH, 1821-1911 
156 VENETIAN SCENE 


Colorful sails in the foreground of the lagoon, other craft and 
gondolas skimming about, with the silhouette of Venice unfolding 
itself in the distance; against a blue and buff colored sky. | 
Panel. Signed at the lower right. Height, 10 inches; width, 144 | 
inches. 


51. 


A RESTFUL SPOT 
BY EMIL VAN MARCKE 


{ NUMBER 157 ] 


EMIL VAN MARCKE 


Los, FRENCH, 1827-1890 

157 A RESTFUL SPOT M. ‘ 
Three brown, black and white spotte@ cows are growped in the 
foreground, a stream of water is at the left distance and a fence 
and wooded mass at the right distance; glimpse of a blue and 
creamy sky at the left. 
Canvas. Signed at the lower left. Height, 26 inches; width, 32 
inches. 

[SEE ILLUSTRATION | 


52 


=ahd ke 


i} 
Pa 


(158 THE LAST RAYS 
oo A wheatfield in the foreground, thatched cottages farther back 


F EAN CHARLES CAZIN 
FRENCH, 1846-1901 


and sandhills in the distance; pale blue and pink sky with the 


- orange rays of the setting sun illuminating the roof of one of 


the cottages. 


:: Canvas. Signed at the lower right. Height, 20 inches; width, 24 
inches. 


JEHAN GEORGE VIBERT 
FRENCH, 1840-1902 
THE CRICKET AND THE ANT 


The former is represented by a troubador carrying a huge guitar 
on his back, the latter by an industrious friar who has made his 
rounds at the nearby village collecting tithes in kind and carries 
a fat turkey strapped to his back while a lay brother precedes 
him over the snow-clad hill guiding an ass and a horse groaning 
under the weight of a freshly slaughtered pig and other pro- 
visions; charming landscape setting with a pink and grey eve- 
ning sky. . 
Canvas. Signed at the lower left. Height, 24 inches; width, 33 
imches. (Brown) 


53 


WOODLAND SCENE 
BY NARCISSE VIRGILE DIAZ DELA PENA 


[| NUMBER 160 ] 


i 
Ne 


hfe | ne sete 


J. ae 
ti 


yee 


4 ‘ 


a po : NARCISSE VIRGILE DIAZ DELA PENA 
FRENCH, 1812-1876 
160 WOODLAND SCENE 


A clearing with a pool in the foreground, a fine tree group on the 
right nearby which a woman is gathering fagots, wooded distance, 
fine sky of blue and grey with a burst of ivory light half way up 
the horizon. 

Panel. Signed at the lower left. Height, 1014 mches; width, 
1316 inches. (Brown) | ie 


se 
_ 


| SEE ILLUSTRATION | 


54 


pas ts 


CHARLES EMILE JACQUE 
FRENCH, 1813- 1894 
161, THE SHEEPFOLD 


; Sheep and lambs are eagerly attacking the freshly- cut grass 
_ which the shepherdess is putting into the manger; a number of 
hens are of the party. Rich surface effects on the sun-lit walls. 

% ~ Canvas. Signed at the lower right. Height, 22 inches; width, 
"B1 inches. 


LEON AUGUSTE L’HERMITTE 


CONTEMPORARY FRENCH 


162 WASH DAY ON THE MARNE 
A number of women are busy with their linen along the bank of 
the river in the foreground; flat distance, with houses nestling 
among’ fine tree groups; pale pink and emerald sky. 
Canvas. Signed at the lower left. Height, 40 inches; width, 54 
inches. 
~ Purchased direct from the artist. 


55 


163 


164 


165 


‘THE CRUCIFIXION 


- PIETRO LORENZETTI 

SIENESE, 1302-1842 
CHRIST ON THE CROSS | atts 
Mary in a blue robe at the left and St. J ona with me bl nd 


locks attired in red and dark wine-colored drapery at the ri 
Above, the pelican. standing i in its nest with its young while 


Panel. Height, 16 inches ; width, oY, inches. uh aber a 
frame of the period. (Acquavella) 


[SEE ILLUSTRATION | 


SEBASTIANO RICCI 
VENETIAN, 1660-1734 


Christ on the cross and the three Marys in grief at the fon one 
in red another in blue and the third in pase wine and pink 
draperies, God the Father above. a 
Canvas. Height, 3014 inches; width, 20 inches. (Acquavella) a 


ITALIAN SCHOOL 
17TH CENTURY 


REST ON THE FLIGHT TO EGYPT 
Mary, seated, holds the Infant as she takes some fruit offered bya 
an angel at the left, St. Joseph stands at her right holding a — 
staff, an angel is at the back and cherubs hover about. Land- — 
scape with water at the right and a glimpse of grey sky. | 
Canvas. Height, 25 inches; width, 30 inches. (Acquavella) 


56 


a 
Nee 


| NUMBER 163 | 


CHRIST ON. THE CROSS 
BY PIETRO LORENZETTI 


166 


50: 


167 


167A 


ANTONIO. MANCIN I 


CONTEMPORARY aan 0. 4 


PORTRAIT OF AN OLD PATRICIAN Bis 
Nearly full-length, seated in an armchair facing the spectatal 
Attired in ornate pink brocaded coat and waistcoat and white : 
neckerchief, knee breeches and white stockings; a blue-grey vase 
is at the left and a terra cotta bust and several bronzes: are on | 


at 


the mantelpiece at the back. — “ee % 
Canvas. Signed and dated 1871 at the lower ‘ah Hg 
441 inches; width, 341% inches. (Acquavella) 

A fine example by this rare master. Of the same period a as” s “The 
Circus Boy” in The Metropolitan Museu of AS 


[SEE FRONT IsPrEcE ] 


SCHOOL OF PAUL VERONESE AS 

VENETIAN, LOTH CENTURY | 

PORTRAIT OF A PATRICIAN LADY . 
Half-length, head and shoulders to the front, auburn Hae witha 7’ | 
lace ruff, red brocaded jacket over grey lawn garment with ae a 4) 


striation; dark greenish-blue background. — | 2 
Canvas. Height, 30 inches; width, 222 inches. (Hurd) ; 


LUCAS CRANACH 
GERMAN, 1472-15538 


MADONNA AND CHILD a 
The blond Virgin, attired in red and grey garments, is seated 7 | 
holding the nude Infant standing on her knee; dark background. __ 
Canvas. Height, 311% inches; width, 2316 inches. 

From the 2 East 57th Street Collection, New York. 


[ SEE ILLUSTRATION | 


58 


MADONNA AND CHILD 
BY LUCAS CRANACH 


| NUMBER 167A | 


167 


- Siac fe hand on her bosom 5 dark hnekgroundy wit 
~*= halos. 7 the 
: Panel. Height, 291 Hare width. Wy, ie 

- From the 2 East 57th Street Vole ey New York. 


1616 


| . nude Christ Child, who looks frankly at the ee. re 
~ plementary background. , 
Canvas. Height, 36 inches; old 26 nee : 
= pope y the 2 East 57th Street Collection, New York. 


168 


_ their wares, and animated with all types of the populace; blue 


169 


ETO oo 
“16rn CENTURY eS 


; MADON N A AND CHILD” 


DOMENICO PULIGO | ; 
FLORENTINE, 1475- 1527 


MADONNA AND CHILD of Oa 
The Virgin seated shoulders to the front, ae tamer a 
left, attired in red, blue, tan and w hite garments, holds the bl 


z oa ao) A Nate dele 2 es 
SS dalarn ah an ithaca once anteaieme anette 


ATTRIBUTED TO FRANCESCO GUARDI 


- VENETIAN, 1712- ee 
A SQUARE IN VENICE : 


Charming houses and towers on three sides with shops digha hae 


sky with grey and er eamy cloud effects. 
Canvas. Height, 18 inches; width, 23 inches. 


BOLOGN ESE SCHOOL 
17TH CENTURY 


THE RAISING OF LAZARUS 
The Saviour is seated, His arm-about the neck of a man who is — 
stretched on a couch; angels about, cherubs hovering above. j 
Canvas. Height, 1514 inches; width, 21 inches. (Acquavella) — 


60 


SAINT BENEDICT 
BY JUSEPE RIBERA (LO SPAGNOLETTO) 


| NUMBER 170 } 


JUSEPE RIBERA (LO SPAGNOLETTO) 
SPANISH, 1588-1656 
170 SAINT BENEDICT 
Three-quarter length, standing, shoulders to the front, his head 
raised, holding a pastoral staff and a book, his Papal tiara on 
a table at the right; dark background. Fine characterization. 
Canvas. Height, 50 inches; width, 40 inches. (Acquavella) 


61 


_ ANN IBALE CARRACCI 
. TReLIAN,: 1560- 1609 
1 71 "THE DEAD CHRIST i 


Mary in pale wine-colored and blue dr aperies: is sea 
the Saviour beside the cross, cherubs in the sky at the r 
Canvas. Height, 19 inches ; width, 14 inches. Bele 


NEAPOLITAN SCHOOL 
ee CENTURY 


172 HEAD OF A SAINT. 
~ Bust, shoulders to the front, head to the ae eyes di c 
_ toward the spectator, in black garment and. wane shirt ce) 
the neck; warm brown background. | ae 
Canvas. Height, 24 inches; width, 19 inches. “(Aequavel 


ice 
Sa 


Fees 


eRe ae digas. tacit ie 


DOMIN ICO THEOTOCOPULI (EL GRECO) 


%50 ¢ SPANISH, “1545- Lely 


173 THE PILGRIM | fh 

In brown cowl carrying a staff, he is being guided by an aygeres 
who appears with outstretched wings and flowing white and ye 
low draperies. Attractive landscape background. . 
Canvas. Height, 29 inches; width, 24 inches. (Acquavella) — 
The attribution refers to the Italian period of the master befor 4 
the so-called elongation of his figures. The treatment of the 
flesh, the surface quality of the pigment as well as the coloring, 
the blue in the wing, etc., are an advance note of his later works. 


[SEE ILLUSTRATION | 


62 


THE PILGRIM 
BY DOMINICO THEOTOCOPULI (EL GRECO) 


{ NUMBER 173 | | 


174 


175 


176 


cr 


~ SCHOOL OF CARLO MARATTA ae 
ITALIAN, lira CENTURY 


THE HOLY FAMILY AND ST. JOHN 


pene ronnd ie 
Canvas. cade 30 inches; width, 25 inches. “leqacta) 


ROMAN SCHOOL 


17TH CENTURY 


THE NATIVITY | a 
The Madonna holds the nude Infant on a white cloth in the aa . ie: 
of the composition, while the shepherds and their families Be q | 


ee 


I 


Darah lated 


forward to do homage; cherubs hover above. 
Canvas. Height, 291% inches; width, 40 inches. (Aeuacaia) 


= ee ae 


ee 


BOLOGNESE SCHOOL ; . : a 4 
17TH CENTURY e 


THE MADONNA 


Bust to the front, eyes cast down, deep chestnut hair, wine- oe 


RS APES PHN SRA EE 


colored and blue drapery; complementary background. = 
Canvas. Height, 30 inches; width, 25 inches. (Acquavella) 


BOLOGNESE SCHOOL 
17TH CENTURY 


THE SACRIFICE OF ISAAC a 
Abraham’s hand holding a dagger is arrested by an angel ap- = 
pearing at the left, while the son kneels on the sacrificial stone; 5 


- 


a dish of burning oil, some EB. and a sheep are at the side; . 
landscape background. az 
Canvas. Height, 40 inches; width, 36 inches. (Acquavella) 7 


64 


178 


180 


181 


SCHOOL OF PARMA 
ITALIAN, 16TH CENTURY 


THE INFANT CHRIST 


Nude, asleep on a blue cushion against a red curtain; landscape 


background with an architectural column at the right. 


Canvas. Height, 38 inches; width, 48 inches. (Acquavella) 


NEAPOLITAN 


18TH CENTURY 


THE MADONNA, CHILD AND ST. JOHN 


The Virgin in blue and red drapery is seated with the nude Child 
at her right as He holds the wooden cross and St. John kisses 
His toe; a lamb is in the foreground; landscape with blue and 
cloudy sky. 

Canvas. Height, 50 inches; width, 40 inches. (Acquavella) 


JARDINIER 
FRENCH, 19TH CENTURY 


A CORNER IN GRANADA 

A group of cheerful houses with red-tiled roofs and flower trelissed 
windows, with a figure on a step in the foreground; luxuriant 
foliage overhangs a pink wall at the right. Blue sky with grey 
cloud effects. 

Canvas. Signed at the lower right. Height, 2514 inches; width, 
36 inches. (Hurd) 


EK. GELLI 
ITALIAN, 19TH CENTURY 


THE WAR COUNCIL 


Four officers in Louis XIV costumes are about a table studying 


a plan of the fortifications of a city; a big cask of wine is at the 


left and a fine old fireplace at the right where a woman is 
standing. , | 
Panel. Height, 18 inches; width, 25 inches. 


65 


| 


182 


183 


184 


185 


FRENCH SCHOOL 
8TH CENTURY 


PORTRAIT OF A PRINCE 
Three-quarter length of a youth erate) facing the 2 spec 
in long curly wig with lace neckcloth, red velvet coat with trin n- 


» i . ™ 9 oh 
, x 4 


ming. He holds an ostrich-plumed hat under his left arm, and a 
riding whip in the right hand; architectural bass f with red 
curtain. 


Canvas. Height, 36 inches; width, 29 inches. (Hardy 


ANDRE BROUILLET a 
CONTEMPORARY Soe ~— 


GATHERING ROSES 7 
A young woman in wide-brimmed hat, her face covered with soft 
veiling which adds a charm to her refined features, in white lawn 
dress with black striped belt is seen at three-quarter figure as she 
stoops to pick some choice blooms in a corner of the garden. ; 
Sky background. = 
Canvas. Signed and dated 1909 at the lower sit Height, 300m 
inches; width, 32 inches. - ae 


AFTER NATTIER —- 
PORTRAIT OF AN EIGHTEENTH CENTURY BEAUTY _ 


Bust, to the front, in low-cut green and grey drapery; com- — 
plementary background; feigned oval. 
Canvas. Height, 2514 inches; width, 21 inches. (Hurd) — 


MANNER OF DROUAIS 


PORTRAIT OF AN EIGHTEENTH CENTURY LADY 
Half-length, seated, facing the spectator. 
Canvas. Height, 24 inches; width, 18 inches. (Hurd) 


66 


186 


187 


188 


ANDRE BROUILLET 
CONTEMPORARY FRENCH 


SWEET IDLENESS 

Charming presentation of a pretty young woman with deep chest- 
nut hair, swinging in a hammock as she looks at the spectator, 
attired in fluffy white gown; park background. 

Canvas. Signed and dated 1909 at the lower left. Height, 32 
imches; width, 40 inches. 


I. R. UNTERBERGER 


CONTEMPORARY AUSTRIAN 


AMALFI, GULF OF SALERNO 


Picturesquely garbed fisherfolk and boats in the foreground, the 
white houses of the town in nice design on the side of a rising 
mountain at the middle distance, craft plying in the offing; pale 
emerald sky with cloud effects. 

Canvas. Signed at the lower left. Height, 39 inches; width, 34 
inches. (Englis) 


(a) CONTEMPORARY BARBIZON LANDSCAPE 
Panel. Size, 14 x 17 inches. 


(b) PAINTED PHOTOGRAPH AFTER GRUTZNER 


Canvas. Size, 19 x 12 imches. 


(c) ANOTHER 
Panel. Size, 10 x 12 inches. 


(d) PAINTED PHOTOGRAPH AFTER CLAUS MEYER 
Canvas. Size, 10 x 8 wches. 
(Hurd) (4) 


67 


189 ven US 


190 


ot 


~ Canvas. Height, 40 inches; width, 31 inches. 


Canvas. Height, 57 inches; width, 43 inches. (Schwartz) Pee 


- SCHWEINIGER © 


| AUSTRIAN, 19TH: CENTURY 


pool, her fed turned toward the spectiaees on 
ground, creamy and blue sky at upper right. we 


AFTER JACQUES LOUIS DAVID 
FRENCH, 1748-1825 
PORTRAIT OF NAPOLEON I 


Three-quarter length, in full ceremonial robes and decorations. 
facing the spectator. a 


SS 


a 


SOM DP ERE NING, PTR RTS A Fp 
PTs AS aT Se 


per bene 
oe 


intone ar 


rr ee peace Troan were—es ne 
- ee 


HENRY LANGLOIS 
FRENCH, 19TH CENTURY 


THE SPINNING WHEEL a 
An old woman in peasant garb is seated in the cool shadow of 
her humble cottage preparing the yarn as her granddaughter 
looks on. Hilly slope at the left middle distance, blue sky with 
creamy and grey cloud effects. 
Canvas. Signed and dated 1884 at the lower ee Height, 4 16 
inches; width, 57 inches. (Sheehan) a 


68 


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This catalogue designed by The Anderson Galleries 
Composition and press-work by 
Publishers Printing Company, New York 


ee LR EE TE RET SS setter -Ses SSN ars neg seen aaponn 


THE 


LEVERHULME CATALOGU. 


IN PARTS AS ISSUED 


OR BOUND IN A SINGLE VOLUME _ 


FOR SALE AT THE FOLLOWING PRICES — 


PART CONTENTS OF CATALOGUE 


FURNITURE, TAPESTRIES 


ONE BRONZES, ETC. 
[PART ONE] 
TWO PAINTINGS 
~ PORCELAINS, ENGLISH 
THREE | 
AND CHINESE 
FOUR THE LIBRARY 
os FURNITURE, TAPESTRIES 
x RUGS, BRONZES, ETC. 
[PART TWo] 
SIX & ORIGINAL DRAWINGS 
SEVEN & PRINTS & WATER COLORS 
ONE TO 
COMPLETE IN PARTS 
SEVEN 
ONE 
COMPLETE BOUND 
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fro. “ 


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489 PARK AVENUE AT FIFTY-NINTH STREET, NEW YORK 


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